At times, the demon skitters around like a possessed spider (thanks to the performance of contortionist Marina Mazepa). The latter method of visual trickery pales severely compared to the former. It’s brought to life with what appears to be a melding of practical effects and CGI enhancements. While the design of the film’s antagonist is effectively off-putting, at times, its execution is a bit unfortunate. This works against some of the scares in the film, making them goofier than they rightly should be. Besides that visual choice, however, the film’s tone is a bit too weightless to serve as a strong foundation for its simple themes of faith and doubt. The film’s overall look is drowning in religious figures and imagery, and they’re shot in a way that brings out their inherent creepiness. This comparison is made clear by the film’s set dressing, which smartly adorns its main church and other holy locations with an excess of statues and icons of significant Christians. It appropriately looks like a corrupted version of any number of Catholic depictions of saints and other holy figures, most notably Mary herself. I also have to commend the design of the titular unholy villain. This film doesn’t employ these hollow tactics. Basically, these are cheap methods of making the audience react in a way that adds nothing to the story’s actual horror. Jump scares only bother me when they’re false scares, such as a bird flying into a window or a character’s friend bumping into them. They’re mostly jump scares, but they’re always in the context of the story and actually carried out by the things the characters are meant to be fearing.
The unholy showtimes near me movie#
Let’s start with the most important question one must ask about a horror movie – is it scary? And I’m happy to report that “The Unholy” does have a few moments that, as they say, got me. But as events start to unfold, Fenn begins to think that the being that’s been visiting Alice is a different, more sinister creature altogether.
She begins to see the Virgin Mary’s visions, which seemingly gives her hearing abilities and the power to perform health-based miracles on others. This seems to set off a chain of events centered around a young deaf woman named Alice (Cricket Brown). To sell his story, he crushes a definitely haunted-looking doll that he finds in an equally haunted-looking tree. After discovering his latest lead to be a dead-end, he decides to concoct a story of a small town beset upon by mysterious forces. Our classic archetype of a main character is Gerry Fenn (Jeffrey Dean Morgan), a washed-up reporter with a penchant for both drinks and stretching his stories’ truth. Sure, there’s some silliness along the way, but it’s still a fun ride. Mixing religion and horror is nothing new for movies, and “The Unholy” works best when it combines Catholic iconography and classic cinematic scare tactics.
Writer-director Evan Spiliotopoulos’ new horror film explores faith and how it can be both personally elevating and easily exploited. I never thought I would see what’s essentially a horror remake of the 1943 religious drama “The Song of Bernadette,” but here we are. THE TEAM – Evan Spiliotopoulos (Director/Writer) THE CAST – Jeffrey Dean Morgan, Katie Aselton, William Sadler, Cricket Brown, Diogo Morgado & Cary Elwes
THE STORY – Terror strikes when a disgraced journalist investigates a girl who has the inexplicable power to heal the sick.
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